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Alessandro Scali

Artist & Creative Researcher

Alessandro Scali is an Italian artist and creative researcher based in Turin. For over twenty years, his transdisciplinary practice has operated at the intersection of contemporary art, hard sciences, media archaeology, and artificial intelligence.

His entire body of work is structured around the conceptual framework of the Anthropoperiphery (Antropoperiferia): a continuous program of experimental investigations designed to test, decenter, and challenge the limits of human sovereignty in perception, cultural memory, digital representation, and cognitive judgment.

Rather than focusing on a centralized personal signature, Scali’s research manifests through autonomous platforms and creative heteronyms, ranging from physically invisible Nanoart created with the Politecnico di Torino, to tactile pre-cinematic devices like the Giphoscope, the digital glitch-art of Van Glitch, and the independent AI curatorial agent Catherine Gipton.

His practice has been widely validated by leading global scientific, academic, and cultural institutions, including Nature, Tate Britain, Bloomsbury Academic, Advanced Materials, the Biennale of Seville, AMACI / IIC San Francisco, and the Carnegie Mellon University (MoonArk Project).

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Anthropoperiphery

Artistic research as experimental philosophy | 2004 - ongoing

A sequence of artistic experiments testing the limits of human centrality in perception, culture, images and judgment.

Experiment I | Nanoart

2006 - 2014

Art beyond human perception.
Testing the limits of biological sight through nanoscale physical sculptures, shifting contemporary art from the dictatorship of the eye to technological and cognitive mediation.

micrometric statue of liberty by Alessandro Scali

Experiment II | Okkult Motion Pictures & The Giphoscope

2012 - 2020

Culture beyond institutional archives.
Resurrecting the most ephemeral digital formats through pre-cinematic mechanical apparatuses, exploring the thresholds of cultural preservation and the eternal loop.

Experiment III | Alexander Van Glitch

2017 - 2023

Perception in the age of algorithmic imagery.

Investigating digital mediation by transforming the smartphone into a portable laboratory, forcing mobile architectures to expose the true, corrupted nature of the pixel.

study for a portrait of lil nas x by van glitch
catherine gipton

Experiment IV | Catherine Gipton

2023 - ongoing

The decentering of curatorial and critical authority.
Testing the autonomy of aesthetic judgment through a legally protected non-human AI curatorial agent conducting independent critical writing, publishing, and public exhibition curation.

Each experiment in Scali's research represents a degree of departure from the center: an exercise in downsizing to discover what remains of reality when the human observer steps aside.

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