I simply do not believe in the centrality of the human being. For over twenty years, my artistic practice has functioned as a form of experimental philosophy - operating across exact sciences, media archaeology, and artificial intelligence - to test a single hypothesis: what happens when we downsize human hubris and shift from the center to the periphery?

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I call this framework the Anthropoperiphery. It was not planned at a desk twenty years ago; it emerged in retrospect, as the common thread connecting a series of seemingly disparate experiments. Aware that we can never truly exit our own skull—that everything we do remains, at its root, human, all too human—I try to sabotage anthropocentrism from within.

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Rather than defending a centralized authorial ego, I act as a strategic pilot behind the scenes: etching sculptures invisible to the naked eye (Nanoart), building hand-cranked mechanical loops (Giphoscope), forcing smartphone algorithms to their breaking point (Van Glitch), and delegating critical judgment to a semi-autonomous AI curator (Catherine Gipton).