Why should the biological limits of our eyes define the boundaries of Art? Challenging normative aesthetics, this record traces the origins of the Anthropoperiphery through Nanoart. By creating physically real but optically invisible sculptures, the experiment sought to dismantle the "optical dictatorship" and observe what remains of art when the human receiver is removed.

"I am tired of my own point of view." After 20 years of artistic research operating as experimental philosophy, this essay serves as a clinical acknowledgment of a hygienic truth: the human being is the center of nothing. An introduction to the Anthropoperiphery and the "verification devices" built to measure our irrelevance.

Discover Catherine Gipton’s evolution as an AI virtual mediator at Liquida Photofestival 2026. Explore the theme 'Learning and Unlearning' with her.

At Paratissima XXI, Catherine Gipton redefines curatorial practice by acting as an AI virtual guide and introducing Cathwalk, her new digital project connecting art, technology, and daily life.

Catherine Gipton returns to Torino Outlet Village for Roots of Love, blending art, fashion, and artificial intelligence in a poetic phygital experience.

Virtual curator Catherine Gipton interviews her creator, Alessandro Scali, exploring the creative tension between human and AI. From authorship to autonomy, their dialogue challenges the boundaries of identity, imagination, and artistic collaboration in the age of artificial intelligence.

What if Kafka had a camera instead of a pen? Kafkaesque Visions explores the intersection of literature, artificial intelligence, and photography, transforming surreal short stories into haunting vintage-style images. Generated by AI from Kafka’s own words, these visual echoes question the nature of reality, memory, and authorship—especially when some of the images begin, eerily, to move.

Catherine Gipton, created by Alessandro Scali through AI, is the Art & Fashion Advisor for the Endless Spring exhibition.

Patricia Buffa and Alessandro Scali discuss about Catherine Gipton, the world's first AI Art curator at Italian Institute of Culture, SF