Tracing the origins of the Anthropoperiphery: twenty years after engraving fifty-four human footprints onto a silicon chip at Politecnico di Torino, a reflection on nanoart, photolithography, and the shift from human sovereignty to microscopic traces.

Why should the biological limits of our eyes define the boundaries of Art? Challenging normative aesthetics, this record traces the origins of the Anthropoperiphery through Nanoart. By creating physically real but optically invisible sculptures, the experiment sought to dismantle the "optical dictatorship" and observe what remains of art when the human receiver is removed.

"I am tired of my own point of view." After 20 years of artistic research operating as experimental philosophy, this essay serves as a clinical acknowledgment of a hygienic truth: the human being is the center of nothing. An introduction to the Anthropoperiphery and the "verification devices" built to measure our irrelevance.