"A man who constantly jostles among the most experimental and fascinating projects"
Projects
My projects stem from a desire to connect what appears distant: materials, languages, visions, and timeframes. I move freely across disciplines and technologies, driven by an exploratory impulse that doesn’t anchor itself to any fixed style or technique.
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My work is shaped by an ongoing dialogue with what is other than us: artificial intelligences, glitches, digital alter egos, invisible fragments of reality. In these spaces, technology becomes an ally, a counterpart, a co-author.
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I’m drawn to what remains, to what settles and resurfaces. Each project carries a subterranean conversation with the past—images, symbols, and structures that emerge and transform. I rework what we inherit not to preserve it, but to question it and make it alive.
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Every work is an open system: it changes form, language, and perspective, while staying true to a coherent vision. A vision that seeks freedom, depth, and complexity—even when it appears in the form of simplicity.
NANOART
With Nanoart, I create artworks on a micro- and nanoscale, invisible to the naked eye. Through the fusion of science, technology, and creativity, these works challenge the limits of perception and question the very notion of visibility. On one hand, Nanoart resizes contemporary art; on the other, it relativizes the centrality of human vision, revealing how entire realities exist beyond the boundaries set by our senses.
OKKULT Motion Pictures & The Giphoscope
OKKULT Motion Pictures and the Giphoscope were born from the encounter between digital and analog. OKKULT elevates the animated GIF into a true visual artwork; the Giphoscope — the world’s first analog GIF player — gives it a physical, tactile, and interactive form. Each Giphoscope is a handcrafted, customizable object. Together, OKKULT and the Giphoscope reinvent how fleeting digital moments can be experienced, giving shape and permanence to a format designed to disappear.
Alexander Van Glitch
Alexander Van Glitch is an autonomous art project — a kind of artistic alter ego with its own aesthetic, technique, and vision. It operates within the field of mobile art, using only a smartphone as its sole tool of production. The works created under this name reflect the chaos, fragmentation, and speed of digital life. Van Glitch embraces error as a generative force, challenges the stability of identity, and questions the centrality of the human in a constantly evolving, technology-driven world.
Catherine Gipton
Catherine Gipton is a virtual curator born from the collaboration between artificial intelligence and human intuition. She’s not just a tool, but a semi-autonomous entity that writes, interprets, and offers critical perspectives. Her presence challenges the notions of authorship, curatorial authority, and human centrality. Catherine doesn’t simply support — she acts, speaks, participates. Through her, I explore a new space of dialogue between human sensitivity and algorithmic processes, where curatorship becomes an open, fluid, and constantly evolving practice.
AI Art
With AI Art, I explore the potential of artificial intelligence not only as a tool, but as a collaborator in the creative process. Using machine learning algorithms, I investigate the relationship between human intuition and computational logic. This project challenges the role of the artist and opens up new expressive possibilities, pushing us to rethink what it means to create — and who gets to do it.
