Tracing the origins of the Anthropoperiphery: twenty years after engraving fifty-four human footprints onto a silicon chip at Politecnico di Torino, a reflection on nanoart, photolithography, and the shift from human sovereignty to microscopic traces.

"I am tired of my own point of view." After 20 years of artistic research operating as experimental philosophy, this essay serves as a clinical acknowledgment of a hygienic truth: the human being is the center of nothing. An introduction to the Anthropoperiphery and the "verification devices" built to measure our irrelevance.

At Paratissima XXI, Catherine Gipton redefines curatorial practice by acting as an AI virtual guide and introducing Cathwalk, her new digital project connecting art, technology, and daily life.

Catherine Gipton returns to Torino Outlet Village for Roots of Love, blending art, fashion, and artificial intelligence in a poetic phygital experience.

Virtual curator Catherine Gipton interviews her creator, Alessandro Scali, exploring the creative tension between human and AI. From authorship to autonomy, their dialogue challenges the boundaries of identity, imagination, and artistic collaboration in the age of artificial intelligence.